blood sections

 

A series of eight collage studies made from 2019 to 2020 that, much like the “Memory Void” series, served to abstract and digitally “remix” old, physically made charcoal and pencil drawings from 2007 to 2009 in order to reflect upon them in a different way; to divine something new from the past. An experiment in glitch art, the resulting series of pieces was inspired in part by the 1996 Swans album “Soundtracks for the Blind”.